It feels like I have played nothing except Shovel Knight and Mario Kart 8 the last few weeks. After finally getting three stars on each Grand Prix cup, here are a few tips I discovered that were helpful:
- The horn power-up is one of the best items in the game, if only because it can neutralize the blue shell. If you get one early on and you’re not far from the lead, it’s worth trying to get into 1st and just holding onto it to fend off anything that comes your way – “the speed horse” strategy.
- If you’re in 1st, getting new items doesn’t matter unless your current item is a coin, in which case you should use it right away. If you have a banana or a green shell (the typical fare for someone in 1st place), hold onto it! Countless races have been lost because someone thought that it was clever to shoot a green shell backward or lay a banana on the final turn before the finish line. When you’re in first, all items are defensive items – you will need that banana or shell to block a red shell or snipe someone who tries to overtake you at the death.
- Still, always go through the item squares if you’re in 1st place, even if you don’t need one. You never know if there’s someone on your tail that would lose the race if denied a critical item.
- Know where you can chase the lead – not all courses are created equal. The following courses are extremely difficult to come back on if you fall too far back: 1) Donut Plains 3 2) Rainbow Road (N64 version) 3) Dolphin Shoals and 4) Water Park. On the other hand, it’s not hard to make a huge comeback on Piranha Plant Side, Toad Harbor, and Bowser’s Castle.
- Be wary of 2nd and 3rd place CPUs that are directly ahead of you with red shells. They will often fire them backward (which make no sense, but it happens). It’s useful to have a green shell on hand to fire forward and block the red one.
- Banana sniping it a thing. If you’re in 2nd or 3rd, it’s worth it to throw a banana forward since CPUs or even human players won’t always be able to move in time to get out of the way. Throwing bananas backward or using them defensively makes no sense unless you’re in 1st, anyway.
- Mushrooms are often misused. It’s usually not a good idea to just burn them while on a straight stretch of track. They’re most useful for: 1) boosting through a patch of slow territory (grass, stone, etc.) to get to a shortcut, such as on the first turn at Thwomp Ruins or near the end of Piranha Plant Slide 2) recovering right away after hitting a banana or getting hit with a shell 3) making a big turn, when many other players will brake or drift for too long.
- If you see a blue shell heading for the 1st place racer while you’re in 2nd or a near 3rd, use the brakes (slight tap on B). The explosion radius is wide and getting caught in it is as bad as getting hit directly.
- Sometimes there’s nothing you can do in the face of a blue shell. If it is about to hit you, use up any items you have on you since you’ll lose them afterward. Also, if possible, try steering yourself near to a booster strip. That way, once you start up again, you can get up to speed as quickly as possible.
- Drift wherever possible. Beginners often struggle with turns and making comebacks; drifting is the best way to address both of these issues.
- Use the jump button to get a boost when going over a ramp or precipice. It also doesn’t hurt to jump or quickly drift to change course when you see that a red shell is coming up from behind. Red shells can miss for all sorts of reasons, so it’s a good idea to make life as hard as possible on them.
- If you’re in the lead near the end and fear that someone is tailing you, vary your direction a bit so that you don’t create a slipstream from everyone behind you.
- Remember that you if you brush up against someone holding a mushroom(s), you get a free boost.
- The fireball power-up is unwieldy, but it’s devastating if you’re in the middle of the (closely packed) pack coming around a turn. Unleash it and watch the entire field go spinning.
If exclusive original content is Nintendo’s bread, then proprietary hardware is its butter. Just as the stereoscopic 3D of the 3DS has enabled unique experiences such as the lush landscapes of Phoenix Wright Dual Destinies and the unique puzzles of Pushmo/Crashmo, the Wii U GamePad has opened up new possibilities for both Nintendo’s own games and third-party titles.
Broadly, the GamePad has reduced on-screen map and menu clutter. Even mass-market, cross-platform games such as Batman Arkham City and the Assassin’s Creed series have benefited from having a second screen onto which to offload boring but necessary design. The TV itself is then freed up for continuous gameplay, with no more pop-up spam or map micromanagement.
As the Wii U gains commercial traction through blockbuster titles such as Mario Kart 8, there has been renewed focus from Nintendo and other developers on doing more with the GamePad. The controller’s unconventional design has also been a point of contention with industry observers trying to explain the console’s tepid reception pre-Mario Kart 8 – it surely adds to the Wii U’s price while seemingly being unnecessary (top-notch games such as Donkey Kong Country: Tropical Freeze don’t even use it).
Still, the GamePad has been well-utilized so far. Perhaps it hasn’t gotten the attention it deserves because of the Wii U’s slow uptake. Here are some of the games and apps that make hay with Nintendo’s tablet controller.
Shovel Knight is a Kickstarter project that became an immensely satisfying send-up of 8-bit Nintendo Entertainment System gaming. From its limited palette to its soundtrack, Shovel Knight nails the 8-bit era’s distinctive aesthetics.
In my review, I praised Shovel Knight for being pitch-perfect while adding latter-day touches such as theatricality through animation and cutscenes. It also makes better use of Miiverse than any game I’ve played so far for Wii U.
As you move from room to room, the GamePad automatically updates with Miiverse posts (categorized as “Diary”) that include comments and tips about the current room. Some are just peanut gallery schtick about how hard/easy the boss is, but others provide info such as how many hits it takes to defeat the mini-boss and where the hidden passage is located.
The GamePad also provides inventory management. Overall, the GamePad provides nice 21st century differentiation for a game with its head in 1988.
The best of the Wii U launch titles, ZombiU is a fiendishly hard first-person shooter/survival horror hybrid. It took me months to finally clear the normal campaign, and I have yet to try survival mode (in which the game ends for good if you die once; I died 55 times in my first successful playthrough).
ZombiU uses the GamePad like a Swiss Army Knife. It can be held up to the TV as a scanner for clues and enemies. It serves as the scope for the sniper rifle. It is also the interface for entering passcodes and breaking locks.
Ubisoft made the GamePad an indelible part of ZombiU. Even in asynchronous multiplayer mode, it serves as one player’s map for dispatching zombies.
Lego City Undercover
Open world games stir up a certain anxiety in me. It’s probably why I never got into Minecraft and why I have always struggled to stay engaged with the Assassin’s Creed installments. It took Lego to win me over.
Lego City Undercover is an open world Wii U exclusive, sort of like Grand Theft Auto with Lego. You play as a police officer tasked with patrolling Lego City. The GamePad is your stand-in for your character’s communicator.
As such, the GamePad serves as the main screen for communications with headquarters. Plus, it doubles as an evidence scanner. I wouldn’t expect any less from one of the Wii U’s best exclusive titles.
Deus Ex: Human Revolution
This game has been ported to a gazillion different platforms, and its stark futurism and realistic violence aren’t exactly Nintendo hallmarks. All the same, its Wii U incarnation is the best available due to the GamePad perks.
Deus Ex HR is filled with menus, lists, maps, logs, and to-do lists. The GamePad is the perfect medium for all of these features. It helps you manage the finer details while not losing sight of the gameplay.
The Wii U version also features enhanced boss battles so that you can scrape by even without a first-rate weapons arsenal. The extra content between Hong Kong and Singapore is also includd.
Not a game obviously, but Netflix shows how the GamePad can be useful in other contexts. Netflix is one of my (and many others’) most used non-game Wii U app, and it takes advantage of the hardware.
The Netflix Wii U app is hardly a paragon of performance and reliability, but the GamePad options make up for these shortcomings. The GamePad screen shows you the title of the film, its Netflix community star rating, the cast, the blurb, and how much time is remaining.
If anything, the Netflix app could probably go further, much like how Shovel Knight turned Miiverse into something worthwhile and useful. Reviews, links to cast and other details in IMDb? All of that would be welcome.
In the summer of 2008, in between spells of supervising future Wall St bankers at Brown’s summer camp, I wasted countless afternoon hours playing Battletoads on an NES emulator. For someone who came of age during the twilight of 16-bit gaming, the 3D wonkiness of N64/GameCube era, and the advent of FMV movie-games, the sheer difficulty and variety of Battletoads was like a kick to the teeth.
The game ferried me breathlessly from a Double Dragon-style beat ’em up to a boss battle (from the boss’ perspective!) to perhaps the most unforgiving biking racing sequence ever. More impressively, the game’s difficulty wasn’t a gimmick; it wasn’t hard for its own sake (or because it was poorly executed), but for the sake of making the player hone her abilities, reflexes, and strategy. Each level was a world unto itself, and it’s impossible to imagine some kid sitting down in 1991 and just beating it straight-through on an unenhanced NES.
Battletoads was a unique mix of challenge and variety, sprinkled with just the right amount of humor – the game’s premise of superhero amphibians is almost surely a parody of the Teenage Mutant Ninja Turtle rage sweeping the world in the late 1980s/early 1990s. It was also a trailblazer, with its gorgeous graphics and faux-3D level design foreshadowing not only the upcoming Genesis/SNES generation but the PSX/Saturn/N64 one after that. It pushed the NES for all it was worth. Since that time, though, no game has really followed its exact blueprint, even if Battletoads’ influence can be seen in platformers like Donkey Kong Country.
Battletoads’ spiritual successor on the Wii U
Until now, anyway. The Wonderful 101, a Wii U exclusive released back in August 2013, is a fantastic genre-defying superhero game with a steep learning curve, unpredictable level design, and beautiful HD graphics. The player controls a massive group of heroes, called The Wonderful 100 (the 101st member is the player) and must collate their powers to fight off earth-invading aliens. To do this, you have to use the Wii U GamePad to draw attack patterns and movement trails (drawing with the R stick on the GamePad/Pro Controller is a bit more cumbersome, I found).
The GamePad is utilized to its fullest here, in a way that hasn’t been seen since the excellent ZombiU launch title. While inside some buildings, the GamePad’s gyroscope (one of its many tricked-out hardware features) is used for navigation, and many scenes perform the patented “look at your GamePad!” move that any player of Nintendoland is likely to be familiar with.
It’s odd how perhaps the two most quintessential Wii U games – ZombiU and The Wonderful 101 – are incredibly difficult. ZombiU’s bleak survivalist ethos – few weapons, power-ups, and health dot the landscape – means that making it through and dying only once is a superhuman feat. The Wonderful 101 is difficult in a different way – while it has plenty of items to restore health or unlock new features, it requires a great amount of coordination to use your team, as well as a certain physical preciseness in timing unite morphs (the giant fist morph may even be a reference to Battletoads’s combat animations).
The learning curve is sharp – The Wonderful 101 unfortunately provides little guidance, forcing players to learn its unique machinations largely on their own. And multiplayer mode requires a pricey Wii U Controller for each additional player. But The Wonderful 101 nevertheless stands as a good indication of what developers can do with the Wii U’s unique hardware and input methods. I hope that the recent sales boost from Wind Waker HD will drive more consumer and developer interest in the platform.
^ That’s a compliment, not an insult. The similarities between Nintendo and Apple seem overwhelming at first blush:
- They both develop tightly integrated hardware/software experiences. Apple’s minimalist, Rams-inspired aesthetic is an unmistakable as Nintendo’s dorky neoclassicism.
- They share conservative attitudes toward specs. The iPhone didn’t have LTE til late 2012, and still has considerably less RAM than its Android rivals; the best-selling Wii was standard-def.
- They’ve both had to compete with Microsoft, with varying levels of success. Apple has basically defeated Microsoft in mobile; Nintendo won a surprising victory over the Xbox 360 in the seventh generation, but the Wii U’s prospects don’t look so good against the upcoming Xbox One.
For these superficial similarities, Nintendo attracts a lot of attention (most of it negative) from Apple-centric bloggers who are eager to suggest remedies for Nintendo’s current struggles (also, many of these individuals are of an age that would have been the prime audience for Nintendo’s gold/silver ages with the NES and SNES, respectively). Perhaps they also see Nintendo’s predicament as similar to Apple’s dismal 1997, when it needed Office and a cash injection from its main rival just to stay afloat.
But there are a number of differences that make the Apple/Nintendo comparison faulty:
- Making one’s own hardware is a given for the dedicated gaming industry’s major players, and it alone does not make Nintendo special or different from its rivals. Starting with Atari, and continuing on to Sega, Nintendo, and Sony, if you made a gaming platform, you made your own own hardware. Even Microsoft – a software company, at least during its heyday – had to delve into hardware as an entry fee to the console business. In this respect, the gaming world is a lot different than the consumer/enterprise software realm, in which software-first or software-mostly companies like Microsoft, Google and Facebook can wield great influence without dabbling in hardware (tho that is certainly changing)
- Accordingly, Nintendo is not a hardware company. It’s a software company that makes hardware that makes its software better. Look at the N64 controller: examining its analog stick and trigger button, you just know that Nintendo’s hardware team was future-proofing it for Ocarina of Time and Super Mario World 64. In this respect, Nintendo is the opposite of Apple, which is a hardware company that makes software that enhances its hardware – iOS is much like a virtuosic exercise in preserving battery and maximizing touch technology.
- The suggested remedy for Nintendo – that they make iOS games – is appropriately the reverse of the remedy that Apple needed and got back in 1997, i.e., the porting of Microsoft Office to Mac OS. Since Nintendo is a software company at heart, it would seem to make sense that, if desperate, they take those assets to other platforms; by contrast, Apple is a hardware company, so dire straits fittingly translated into trying to attract more software to their own platform.
- If it’s not clear by now, you should realize that Nintendo is uninterested in making a platform. It makes toys and the workshop/play space in which those toys are used. That’s the total opposite of what Apple has done, especially with iOS.
John Gruber and John Siracusa recently had a great deover Nintendo’s future. Gruber argued that the lucrative DS line could be jeopardized by its basic requirement that users carry a dedicated handheld in addition to their phones – I can definitely see this happening. But Siracusa hit upon some subtle advantages that Nintendo may still have, especially in terms of gaming experience.
Discussions of Apple vs. Nintendo (or Nintendo vs Nokia/RIM) often lead with anecdotal stories like “my kid doesn’t know what Nintendo is,” which I think are unhelpful. The tech literati are not really Nintendo’s audience, and their children are probably a small subset of all Nintendo fans. The recently announced 2DS is not a device to be analyzed with the same eye as a new iPhone or Nexus device. Still, I’ll contribute my own – I’m already fatigued of Android/iOS gaming. The limited input mechanism (touch) means that games cannot do as much with on-screen information or elements since fingers get in the way, and the freemium pricing of so many mobile games means that they often do not over immersive experiences but rather play–by-ear arcade-like ones.
Sure, there was a time when people defended BlackBerry’s hardware keyboard as a non-negotiable feature for plowing through “serious work” and email. But as Siracusa pointed out, hardware keyboards were superseded because software keyboards imitate their every last functionality while adding exclusive features like predicative typing. Touch screens cannot do that with gaming controls, if only because there’s no QWERTY-like standard for controls: every controller may have buttons, but their arrangements and numbers are radically different from one system to the next. The fact that Nintendo has realized this has been a historic source of strength – it’s hard to appreciate now, for example, how groundbreaking that N64 controller was in introducing analog sticks to the console world.
The variety of controller layouts is matched by the variety of software that they power. Games are, on the whole, a much more fragmented sector, in terms of design and input, than mobile apps. What are mobile devices used for? Standards like email and Web browsing, mostly similar social media clients with a standard set of gestures, passive content consumption. They don’t need varied controls or inputs because their specialty tasks don’t require them
Now, imagine Nintendo trying to bring its quirky, unique sense of sophisticated hardware-specific software to iOS, a platform which takes for granted that no third-party app is more special than any other one and as such. Even with an iOS controller peripheral, I don’t think it would work – not only would it de-incentivize customers to purchase Nintendo’s own hardware, but it would create a bad experience, topped off with the inevitable long string of 1-star App Store reviews bemoaning users’ unawareness that they needed a separately sold item to play the $14.99 app they purchased.
Whether Nintendo can make its traditional approach work going forward is a separate question from whether porting software to iOS would be a good idea. For now, the company appears to be in sound financial shape, and even a minor rebound in Wii U sales would help buoy its already robust DS business. And mobile device sophistication need not be synonymous with consolidation – a breakthrough gaming device, like the original Wii was 2006, could fit alongside the growing fleet or smart wristbands, HUD displays, and smart watches that co-exist peacefully with phones and tablets.