A fistful of dollars/for a few barrels more
Everyone wants a strong dollar, right? In the U.S., politicians will pay lip service to the notion of a strong dollar – i.e., in their minds, a dollar that trades more evenly against the other major world currencies (sterling, euro, yen) – because A) it sounds good; B) it feels good for American travelers who travel to Europe and Japan and realize that their greenbacks go pretty far.
When I visited Italy in 2008, I remember that the USD-EUR exchange rate was unfavorable to me (I’m American) and accordingly I felt the pinch of 50 EUR cab rides and 14 EUR gelato cones in Florence. At the same time, I remember fuel being expensive that entire year, with it peaking at near $150 per barrel that summer when Russia invaded Georgia.
That all feels like a 1000 years ago now. The dollar has strengthened mightily against the euro and oil trading for less than one-third of what it did the summer before Barack Obama was first elected. King Abdullah bin Abdulaziz al Saud of Saudi Arabia, whom George W. Bush begged that same year to increase oil production as energy costs skyrocketed in the run-up to the Lehman collapse, is dead. Bush himself is reduced to speaking at events in the Cayman Islands, an unmentionable even among his own party. Russia, though still ruled with vim by Vladimir Putin, is in economic and diplomatic free-fall.
But the strong dollar isn’t everyone’s friend. For starters, it is burden on corporations that sell goods around the world. Tech analyst Ben Thompson recently framed the problem in stunning terms, in ridiculing the widespread perception that Apple is always on the verge of catastrophe:
“It’s difficult to overstate just how absurd this is, but here’s my best attempt: last quarter Apple’s revenue was downright decimated by the strengthening U.S. dollar; currency fluctuations reduced Apple’s revenue by 5% — a cool $3.73 billion dollars. That, though, is more than Google made in profit last quarter ($2.83 billion). Apple lost more money to currency fluctuations than Google makes in a quarter. And yet it’s Google that is feared, and Apple that is feared for.”
I have been trying to wrap my head around this all day. All those seemingly minor variations in currency trading, piled up over and entire quarter at the scale of Apple’s business, ended up taking a cut out of Apple larger than Google’s entire quarterly profit – and Apple still managed the best quarter of all time, with $18 billion in profit.
Apple’s turnaround over the past 18 years is probably the greatest business story of all time. if you look at a chart of all the biggest quarterly results in history, it’s dominated by oil companies (Gazprom, Royal Dutch Shell, etc.) and Apple and no one else. It’s a neat coincidence that Apple keeps outdoing itself at a time when oil – seemingly its only competitor in terms of product profitability – is taking a nosedive.
Growing up in the 1990s, this is all so surreal. For a kid growing up in rural America, at the peak of Windows (I had just turned 9 when Windows 95 was released) era, when every class at school was built largely around writing things in MS Works/Word and saving it to a floppy, Apple was nowhere to be seen. I remember reading about Macs when playing some Sierra On-Line games that were built for both PC and Mac, but I never even used one until 1999, in a school in Gallipolis, Ohio. Apple was on the margins.
Not anymore. To quote almost any stat about Apple anymore is to send the mind fruitlessly in search of anything else like it. The company’s iPhone business alone – just the iPhone, without even taking the iPad, Mac, iPod and iTunes into account – brought in more revenue than Google and Microsoft combined in the most recent quarter. Each quarter, it makes more profit than Amazon has ever made. It has enough cash to buy IBM outright at IBM’s current market cap – and still have tens of billions left over.
Paradoxically, the vast complexities of Apple’s supply chains as well as the efficiency of its manufacturing and marketing processes have ensured that simplicity wins out. The iPhone and its brethren feel natural and easy to use (despite mounting software issues, which is a topic for another conversation), reinforcing what I have always thought: that one significant part of the success of iOS in particular is that it eliminates the paradox of choice that is so paralyzing with Android or almost any other computing platform. It’s a good design, like John Gruber recently noted:
“Who knows how long Apple’s ride at the top will last, but this is a moment worth savoring. A toast to the value of good design.”
RSS isn’t dead. The demise of Google Reader last year inspired pearl-clutching about the demise of the standards-based Web and the rise of Google+ and other proprietary content filters. But here we are in late 2014 and podcasts (audio RSS) are thriving and there are multiple sustainable RSS engines available for subscription, from Feed Wrangler to Fever. Making a podcast client is the new making a Twitter client.
Meanwhile, Google+ has lost its mastermind and services such as SoundCloud, through their increasingly onerous EULAs, show the perils ahead for insular networks. RSS, email, et al will outlive Facebook. In my own ridiculously small slice of the Web, I have proposed that blogging will survive because it’s the foil to the artifice of social media and “solutions.”
Android is less a playground for RSS and podcast clients than iOS. It makes sense, given the Android clientele. Android lacks a built-in pod catcher like iOS’s Podcasts, though it can do RSS reading via Google Play Newsstand. For less than $25, an Android user can get a top-notch RSS and podcasting experience.
For RSS reading (news):
1. Subscribe to an RSS service
Feed Wrangler is my pick here. It’s got a simple, barebones Web interface that makes adding feeds easy. It only costs $18 for a one-year subscription.
2. Buy Press and log-in with Feed Wrangler or another account
Press is the best RSS client for Android. It has a sleek interface that nicely weaves-in Pocket, Instapaper, and Readability, support for DashClock Widget, and its own large widget. You can log into it with Feed Wrangler, Feedly, Fever, and Feedbin
1. Buy Pocket Casts
Podcasts are having a moment, for at least as long as Squarespace is willing to keep sponsoring episodes. Shifty Jelly have made an outstanding, Android-optimized podcatcher called Pocket Casts that offers variable playback speeds, easy navigation, lock screen controls, and a handy widget.
In my previous entry, I mentioned Link Bubble, a nifty Android app made by Chris Lacy, the creator of the Tweet Lanes Twitter/App.net client. Like DuckDuckGo (a merged search engine-browser-news aggregator), Link Bubble is on the bleeding-edge of mobile browsers. It doesn’t just try to compress a desktop experience for a small screen a lay Chrome, Safari, or Dolphin (all good browsers, but ones that are of a piece with almost every browser of the past 20 years). It realizes that the mobile Web is a destination rather than an immersive app – how many times have you ended up in Chrome et al because you clicked on someone’s link and had to wait for the page to load?
Link Bubble is an overlay – it is, sure enough, a “bubble” that is drawn over whatever screen you’re currently on. It looks like this:
Here’s how to use it:
1. Download Link Bubble from the Play Store. You’ll probably want to get the Link Bubble Pro upgrade, too, since it unlocks most of the features worth using (multiple bubbles, colors, etc.)
2. Click a link in any app (Hangouts, Google Search, email, whatever) and then, when prompted with the intent dialog, select Link Bubble and select “Always” so that it becomes your default browser. You may have to go through this process for several apps, depending on where you click most of your links. The clicked link loads in the background and shows up with a favicon to the side, in the overlaid bubble. The “HG” in the screenshot above is for Hardcore Gamer, for example. Since it’s done in the background, you don’t leave the app you’re currently in – convenient! Especially for Google searches where there’s more than one link you want to click. Here’s what it looks like when you tap on the bubble to go into the actual browser:
3. After it’s the default, open the Link Bubble settings (find it in your app drawer and click it) and set things up:
You’ll need to pick a fallback browser (probably Chrome unless you’ve downloaded something else) to handle any links that Link Bubble can’t handle. You’ll also want to pick the default behaviors for the upper-right and upper-left bubbles. It’s easier if I show a screenshot:
These extra bubbles (upper-left, upper-right, bottom_ show up when you tap and drag one of the bubbles (circles) at the top of the browser. You can customize it to your wish, but the default is Pocket (if installed) in the upper-left, share in the upper-right, and close tab at the bottom.
4. If you ever need to hide the bubble because it’s in your way, or simply want to close everything in one fell swoop, you can do so from the notifications tray (Link Bubble creates a persistent notification):
Touch it once to hide the bubble; you’ll be able to get it back the next time you click a link. Expand the notification with a downward slide to close everything.
Google’s Android apps are by and large top-notch, although the increasing number of them means that average experience may be getting watered down by duds like Google News and Weather. With so many apps only ported to Android as an afterthought (many, like Instagram, have ported over their bottom-icon heavy look), Google’s specialized design is refreshing. Chrome is no exception. While it doesn’t have Dolphin’s speed or customizations or Firefox’s open source character, Chrome is fine, fast, and full of useful options such as bandwidth conservation (which can sometimes make its rendering of Facebook.com perform better than Facebook’s actual Android app).
You’re waiting for a “but,” so here it is: Mobile Web browsing is stuck in the desktop era. There’s still the URL bar and a bunch of tabs stuck weirdly (and inconveniently) in something that looks like a file cabinet – it doesn’t get much more “legacy” than that. Plus, a mobile Web browser is often somewhere you end up, not somewhere you open with intent. You’re sent to Chrome (or Safari or IE) because you click a link and then wait a few seconds for a blank page to fill out.
There’s something jarring about that process. It really becomes apparent when going through Google Search results, clicking on one, seeing it open in Chrome, then having to go back to Search to go through more that may be interesting. The workaround is to just search directly from Chrome, but the UI is less appealing. Ideally, Google would merge Search and Chrome into one runtime.
Until they do, though, there are some good alternatives to Chrome, both in terms of usability, privacy, and innovative design. I’ve rounded up a few of the best ones here.
If you want something with more pizzaz: Dolphin
Dolphin is speedy, with excellent HTML5 performance a fluid UI. It’s also an ecosystem unto itself, with tons of add-ons and color packs. The look and feel is especially good on tablets and big phones, since it has enough real estate to pull off its desktop-like tab design (if you’re into that). Possible drawbacks include its awkward sharing menus (the best way to share to Pocket is to install a supplementary app) and less support for deep linking (i.e., having links redirect to relevant apps rather than websites) than Chrome. Nice quirks include the ability to create and save drawings that stand in for URLs – you could doodle an ‘F’ to go to Facebook, for example.
If you want something that is private and different: DuckDuckGo Search and Stories
DuckDuckGo is known mostly as an anti-NSA search engine that doesn’t track its users. It’s more than that, as its mobile app name suggests. On Android, it can serve as a news reader with customizable feeds drawing up on various subreddits and popular Web publications – it’s way better than the card-heavy Google Play Newsstand. It’s also a browser. URLs can be entered into the search box and they’ll go directly to that page if correct. You could do all your browsing from within the DuckDuckGo for Android app. Plus, there’s the option to use Orbot to connect the app to Tor for privacy.
If you want something futuristic: Link Bubble
Link Bubble isn’t a replacement for Chrome per se. It’ll still need Chrome or another browser as a fallback, but it’s really a leap beyond almost every other mobile Web experience for Android. Here’s how it works.
When you click a link anywhere, it’ll load in the background and then appear in a small bubble that is drawn over the screen (it lingers until you dismiss it using the notification tray). So say you’re in Google Search and you tap something. It loads in Link Bubble to the side, but you stay inside Google Search, uninterrupted. You can have many bubbles open at once (they’re basically like tabs). Link Bubble has a unique, fun UI for dragging the bubbles to the upper left to save to Pocket, to the upper right to share, and down to close.
Link Bubble is perfect reaction to the disruptive “click, wait for a blank page to load in a Web browser” behavior that characterizes most mobile linking and browsing. It takes some time to get used to, but it becomes a time saver.
Writing well is difficult. Sometimes, the writer is granted brilliance that feels scarcely controllable, but these instances seems rare. Even being in one such moment provides that distinctive feeling – like standing on top of the Duomo or producing creative work with ease – capable of being be evaluated in real time and appreciated for its rarity: “I might never have it so good/easy again.” So how can writing be made easier? Simple: write everything like it’s an Internet comment.
The writer vs the vacuum cleaner
Much writing is a slog, a series of slight maneuvers that cancel each other out until finally a coherent thread emerges. It took me 5 minutes just to write the paragraph above. Writing is not unique in this respect. Even glorified professions such as programming are full of drudgery.
What consistently gums up the writing works? It’s as if there’s a vacuum cleaner sucking up thoughts from the brain. The task ahead demands lots of ideas and eloquent turns of phrase, but the reserves quickly run out, and then there’s nothing.
Staring down at blank space is like the times when, on the verge of sleep, there’s that startlingly realistic falling sensation, that causes real fear despite harboring no threat of actual mental or physical damage. That’s writer’s block: Real fear, fake consequences. The feeling of an empty idea cupboard is irrational, given that it’s impossible not to think.
Vague feelings of brilliance vs concrete sensations of inadequacy
While most writing isn’t pleasurable to produce, it usually reads better than it felt to write. The fear of inadequacy is often just a deep-seated anxiety of what to write to right next, rather than despair about the project at large.
Overwhelming, tangible brilliance can make the writer inhabit the moment and relish how power is building and obstacles are receding, yet the grind of the writing process gives her a frame-by-frame feeling of pain. Each word is scrutinized. This sort of perspective is what makes writing both pleasurable and painful: The writer may sometimes vaguely sense overall quality, but she must also regularly dwell on specific defects.
The latter tendency is what makes in-the-moment elation – the happiness at being able to step back and appreciate beauty as it is formed – difficult in all but exceptional cases. Certainly, it is painful, but it is almost necessary to chipping away at word choice, syntax, and argument until something is unlocked. This quibbling is the fallback mechanism when sweeping brilliance isn’t available; it’s the writer’s workhorse.
Internet comments vs everything else
If there’s one type of writing that feels tangibly easier than all others, it’s the Internet comment. It has a low bar to entry: Good grammar and reasoning skills aren’t required, there’s little curation, and the writer herself does not even need an environment, other than the Web browser or app in question.
Bad comments are easy to the point of near-unthinking, but even apparently good ones can be produced in a flash. The show-off Internet comment – a missive that can include copious amounts of evidence, conspiracy theories, personal anecdotes – is a staple of Reddit et al, and their volume speaks to a writing form that not only exhibits effort (if not always quality), but also scales tremendously.
This combination is unique. There is plenty of substandard prose and poetry on the Web, but it lacks the airs of greatness put on by Internet comments. A comment can be:
- Easy to write (thus reinforcing subtle norms around the great artist who effortlessly churns out masterpieces
- Superficially convincing (even if the reasoning is poor, the author may overwhelm with length, cherry-picked numbers, flowery language, or a combination thereof)
- Instantly applauded (forget a publishing deal; upvotes and likes can confer immediate gravitas to the text)
Thinking about these perks, why doesn’t the Internet comment become a literary form? Its real advantage, staked in the three foundations enumerated above, is its built-in audience – by far the most irritating obstacle for any writer in any context. There’s major schlep blindness in not trying to turn such a facile mode of writing into something with aesthetic and philosophical value.
It’s easy to write an epic Internet comment (whether a tweetstorm or rambling Facebook status update) because there’s no intimidating void to fill, no vast spaces to traverse without knowing what tone, language, or evidence to use. Even a bad comment will get attention because the audience is there to seize upon it; a good comment will be acclaimed or, in an even better indication of its impact, viciously attacked by insecure dissenters.
A while back, I wrote, on the occasion of Google requiring a Google+ account for YouTube comments:
“Every commenter is an expert, or at the very least a potential conversation hijacker whose hastily gathered yet half coherent sentiments can trigger thousand-word outbursts from her faceless peers.”
My language was over the top, but I still feel the same about the comment’s power as a low-hanging enabler of expertise and catalyst for raw word production. It’s all about the audience and the ability to show off, knowing everyone is already watching.