2004 seems longer ago than any other year to me, which I understand makes no sense. How can it seem longer ago than 1999, or 1991, or even 1989 – all years I remember, at least in bits and chunks? Maybe because 2004 felt like a bridge, some convergence of the analog past and the digital future. It was the year I graduated high school and started college. It was the year Facebook was invented, the peak of Windows dominance, the calm before the Apple-Google-let-me-check-my-phone storm. It was a time when there was still hope that George W. Bush wouldn’t be reelected. It was a moment at which I could feel the changes on horizon while being able to look into the past and realize how far away it would soon feel.
It was also the year that Above & Beyond launched their massively successful radio show/podcast Trance Around the World. The show ran for 450 episodes until 2012, when it was rebranded as Group Therapy, after their sophomore album. In 2004, A&B was on fire with songs like “No One On Earth” and “Satellite” (by OceanLab, the combination of A&B + Justine Suissa) that mixed drama and unshakable melodies with EDM churn. 10 years later, they’re more popular than ever – the 100th episode of Group Therapy (and the 550th episode of the radio show overall) was a live set in a sold out Madison Square Garden.
I’ve been fascinated with issues of EDM criticism and have even compiled my own list of A&B’s best singles. ABGT 100 didn’t seem like a time for critical reflection, but in the relatively quiet spot I found at the back of the floor, there was time to think. I appreciated how strands of Cygnus X were woven into Mat Zo, how Andrew Bayer unfurled one vocal masterpiece after another, and A&B’s integration of “These Shoulders,” perhaps Julie Thompson’s finest moment on Anjunabeats. I also got this great photo which looks kinda like Deadmau5 lost in a crowd of ABGT partygoers:
It was all so harsh, yet so gentle. All new, yet so old.
This week I completed my second short story, a 7,000 word piece called “The Lightning” that I posted to Tumblr, along with some original artwork and photography that loosely correspond to the narrative. It’s the second story I’ve published to the site – I prefer Tumblr for its relative anonymity and informality, as well as its artistic community – and I plan to add at least 3 more over the next several months. Once I get to 5, I’ll think about self-publishing an actual book of them.
The story itself is a reporter’s chronicle of his investigation of a local tall tale, about a man who is repeatedly struck by lightning. I didn’t go into the story with much of a plan – only an idea of “lightning in a bottle” that was cycling through my head like a cliche during a walk back in September.
Stylistically, I drew upon three major sources:
- Will Self’s Umbrella – a multi-consciousness, stream-of-consciousness novel that seamlessly moves between World War 1 and later eras, all the way to 2010.
- The Serial podcast, a massive hit series narrating a reporter’s revisiting of a 1999 crime
- The Counting Crows album “Across a Wire,” which reimagines the band’s early songs with lyrical snippets from other songs, b both their own and others’.
I’m still very much a novice short story writer. My first one was written back in the summer, called “The Loop.” I’m still getting a feel for narrative and characterization – in this one I took the first-person perspective, despite Jonathan Franzen’s recommendations against it, to try and get inside the investigator’s head. I also presented different layers of narrative. The parts in quotes are meant to be newsy/reporter-y, while the unquoted parts are more free-form, going between poetry and free association. The piece started as a someone walking around in the woods thinking about the Union Jack (I began right before the Scottish independence referendum) and ended up with that as just a passing detail.
There are some details about my hometown in here. The Lebanon Enterprise is a real newspaper, just as Proctor Knott Avenue is a real street. The whiskey distilleries, lakes, and forests are all real characteristics of the area in and around Lebanon.
I published it once and then took it down to do some rewrites. With this story, I rediscovered what I had once learned but forgotten (perhaps since I did so with a different medium, the academic paper): trying to substantially revise an old work that you haven’t gone back to in a while is painful. I probably let 1.5 weeks slip between the first draft and doing substantial edits, which ended being harder than facing down a blank page had been. I’m not going to put off the edit cycle again.
I used iA Writer for Mac to write the whole thing in Markdown. I took the photos with an iPhone 6 Plus. The artwork was done with acrylic paint on a sketchpad.
For the next short story, I’m going to read something more straightforward – maybe some Stephen King and Hemingway – and then tailor my style accordingly. I’ve already got a title: “The Chancellor.”